Sean Schumacher (b. 1986) retells stories through breadcrumbs, trailing hints about an ignored or forgotten past, the whispered half-truths of secrets and rumors, or fleeting narratives told through equally temporary means. Through copious research, unusual applications of everyday technologies, and added humor, he provides viewers a sense of the moments, places, and narratives that have been lost, or are simply going unnoticed around them.

Having grown up in Las Vegas before relocating to pursue a graduate degree, Schumacher’s most recent work explores these themes through his unique hometown—a place with a short history unpreserved, a built landscape repeatedly razed, and a population that has consisted for most of its history of long-term tourists shifting ever-further from any area with the slightest hint of age. Seeking an understanding of the city’s urban fabric as a whole through an investigation of maps, property surveys, and place names left displaced by the implosion of casinos and the abandonment of neighborhoods, he seeks an understanding of what being a local means when the person and the place are altered by distance and destruction, and what damage the ideals of the twentieth century’s disdain for the past had on its disposable locality.

Sean Schumacher

Obfuscations

Detail of "Family Portrait"
Detail of the header of "Family Portrait". Genuine portrait frames were collected from thrift stores to give the piece the gravity of a series of portraits hanging on a wall.

The language of the world has inherently changed in the last three decades. It is no longer a human-readable language that makes up the most central part of our experiences, but a digital one. No longer are family photographs things hung on walls, but instead are shared in Base64-encoded packets emailed across the world. Newspapers have all but lost their physical being, and books may soon be headed the same way, though even the methods by which things are read are different; as shown in "All-England AutoSummarize Proust", the fields of wordy descriptors are slowly giving way to a shorter, punchier blog format.

These works attempt to capture some of the intricacies of this change and return them to formats more traditional to their beings, even when doing so makes the original work seem far from what it once was.

Family Portrait
Family Portrait (GIF encoded as Base 64 in Hexadecimal format).
Interpretation
"Interpretation" – Optical character recognition of a Nevso News article on microfilm dated December 17, 1954, on newsprint
"All-England AutoSummarize Proust" in its natural environs
"All-England AutoSummarize Proust" in its natural environs.
Detail of "All-England AutoSummarize Proust"
"All-England AutoSummarize Proust" took the entire text of Proust's Swann's Way and utilized Microsoft Word's AutoSummarize to shorten it to approximately the length of an ordinary short essay, 500 words.
"All-England AutoSummarize Proust"
While the text is all sampled from the book, the way the summary service determines which phrases are important lends a new narrative to the original.
SeeSpotRun
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