Sean Schumacher (b. 1986) explores the unnoticed and the forgotten of everyday history—the mundane or even accidental non-events of timelines that get recorded often in spite of their creators. His futile gestures, from fragilely outlining the walls of forgotten homes to capturing the dialogue created when hairs become trapped in wall paint, honor lost and lossy moments. A native of Las Vegas, his most recent work explores and historicizes the uniquely thorough de-historicization of his own home town, locating what can be saved to tell the story of that city's natives when the industry that provides for them also displaces the components of their identity.
The language of the world has inherently changed in the last three decades. It is no longer a human-readable language that makes up the most central part of our experiences, but a digital one. No longer are family photographs things hung on walls, but instead are shared in Base64-encoded packets emailed across the world. Newspapers have all but lost their physical being, and books may soon be headed the same way, though even the methods by which things are read are different; as shown in "All-England AutoSummarize Proust", the fields of wordy descriptors are slowly giving way to a shorter, punchier blog format.
These works attempt to capture some of the intricacies of this change and return them to formats more traditional to their beings, even when doing so makes the original work seem far from what it once was.